bob peak movie posters

Prolific poster artist William Reynold Brown teased impressive special effects that the finished movie ultimately didn’t match – it mostly involved a giant prop hand. The fifth of five Star Trek movie posters from Bob Peak. The ‘no ghosts’ sign was created by the film’s art director, John DeCuir, but the idea behind it can be traced to Dan Aykroyd, who referred to it directly in the film’s screenplay. Except it isn’t actually Anne Bancroft’s pin: 46 years after release, model and Dallas star Linda Gray revealed that it was her leg on the poster, as Bancroft couldn’t make the shoot. Stanley Kubrick‘s drama was advertised with punchy minimalism, a helmet reading “Born to Kill,” and the tagline: “In Vietnam the wind doesn’t blow it sucks.”. You seem to be logged out. The obvious choice for this poster might have been to feature the film’s villain, ‘Ghostface’, or riff on Edvard Munch’s famous painting. Superbly riffed-on in the posters to both sequels, this artwork from master of the medium Drew Struzan takes all of the film’s iconic objects (Marty’s threads, the DeLorean, the flaming tyre tracks) and combines them in a single, stunning image. Hunter S. Thompson‘s infamous novel about drug use and living on the fringes is brought to life in this Salvador Dali-esque trippy image. Talk about high-concept! A great example of colour scheme that extends from a film to its marketing. Each available at Amazon for $3.95: click on image to order. Robert Zemeckis‘ time-traveling comedy blockbuster is full of iconic imagery, much of it featured here. These pictures are often sold entirely on their concepts rather than star power, and some genre posters are just as—if not more—memorable than the films they advertise. Not to say that it should be abolished -- just put in its proper, diminished place. Simple theme. The simplified, almost cartoonish shapes of a corpse sum up the themes and premise of Otto Preminger’s courtroom drama efficiently and effectively; the simple, unusual orange/yellow colour schemes makes it instantly recognisable. Sports Illustrated, TV Guide, and Time (over 40 covers). The Social Network (2010) Robert M. (Bob) Peak (1927-1992) was one of America's most successful illustrators from the late 1950s until his death. The release of Brian de Palma‘s gangster picture, a remake, coincided with the rise of hip-hop music; its influence is tangible to this day. Bob Peak. The famous teaser for Sam Raimi‘s symphonic splatter-fest promises to take horror to the next level. The tagline: “Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”. Classic Bob Peak poster for Enter the Dragon (1973). Chinatown is considered one of the finest mystery films to this day, and Robert Towne‘s Oscar-winning script is timeless. Star Trek: The Final Frontier 1989. An early design from the legendary Saul Bass, his trademark jaunty typography and bold emblematic graphics proving an ideal fit for Billy Wilder’s screwball romantic comedy. Please check your email to confirm your subscription. At first glance, it’s a straightforward headshot. Plus he’s looking at his watch. The poster for Martin Scorsese‘s breakthrough is an elegant composition presenting the criminal underworld of Little Italy, New York. See more ideas about Bob peak, Movie posters, Poster. We only see Michael Myers’ hand here, but his presence is felt heavily – especially in that tagline, with the italicised ’He’ suggesting so much from so little. Get into the Holiday Spirit with 30 Christmas Movies on Disney+, Jeannie Mai's Fiancé Jeezy Shares a Health Update After Her Life-Threatening, We Can't Feel Our Face! Nearly two decades later, the “Why so serious?” marketing behind The Dark Knight became just as iconic. Bauer Media Group consists of: Bauer Consumer Media Ltd, Company number: 01176085, Bauer Radio Ltd, Company Number: 1394141, Registered Office: Media House, Peterborough Business Park, Lynch Wood, Peterborough, PE2 6EA H Bauer Publishing,Company Number: LP003328, Registered Office: Academic House, 24-28 Oval Road, London, NW1 7DT.All registered in England and Wales. Title sequence and poster maestro Saul Bass has created enough iconic imagery to populate a list in itself. In simple black-and-white, it tells us everything we need to know. David Kroll of Newsweek warned audiences the picture could “scare the peanuts out of your M&Ms.”. One of the most memorable posters from this era read “Who will survive…and what will be left of them?” With minimal gore and lots of twisted imagination, the original Texas Chain Saw holds up as a blisteringly freaky watch. Testament to the fact that sometimes less is more. Alien was an Oscar-winning runaway box-office hit. Stanley Kubrick, an incorrigible perfectionist who liked to control everything from projection instructions to catering, also controlled every element of his film’s marketing – and that can be seen in this one-sheet. The most famous work of prolific multihyphenate Robert Grossman (a cartoonist, author, musician, filmmaker and painter), this knotted Boeing 707 is the perfect metaphor for the film’s particular brand of demented satire. A master of colors, draftsmanship, texture, and design with a style and command that sold products. Bob Peak's artwork for the 1977 James Bond classic The Spy Who Loved Me. The puppeteering logo is just as effective and memorable on a film poster as it was on the cover of Mario Puzo‘s novel. Sadly, Bob Peak passed away in 1992, but his work continues to inspire generations of young artists and he has left behind iconic images that will live on forever. ... With this poster and others, Bob Peak became one of Hollywood’s most in-demand poster designers, second only to Drew Struzan. Slow down. Trainspotting’s iconic shade of orange, its character-defining lineup poses, and a swaggering quote from a certain film magazine ensured its place in history. And this guy’s saying, ‘whaddya want from me?’”. Rare is the artwork that manages to sum up a national mood, a subculture, a generation and a film all at once. “Mrs. (1967 re-release poster) Still the highest-grossing movie of all time when taking inflation into account, Victor Fleming‘s epic romance was re-released in theaters by this fiery, sexy one-sheet. Sports Illustrated, TV Guide, and Time (over 40 covers). The most terrifying of all motion pictures is teased with this iconic image of Father Merrin (Max von Sydow) arriving outside the bedroom of Regan MacNeil (Linda Blair). The sly taglline “Thank God it’s only a motion picture!” is just icing on the cake. The Weeknd to Headline 2021 Pepsi Super Bowl LV Halftime Show, Ahead of the Season 22 Premiere, We Ranked the 30 Best. A Look into the Electoral College, How It Works + How Votes Are Allocated By State. A blog about about painting, design and other aspects of aesthetics along with a dash of non-art topics. Interestingly, the navel on display does not, in fact, belong to Suvari but is the displaced midriff of Chloe Hunter. For viewers of a certain generation, Robby The Robot was the entry point to a whole new world of science-fiction gods and monsters, and his futuristic visage takes centre stage in this nerd’s vision of paradise, a film – and poster – so influential that it now lends its name to the nerd mecca bookshop. Though there are films from a wide variety of genres on this list, you’ll notice it’s heavy on action, sci-fi and horror genre titles. Steven Spielberg‘s summer event film, and the groundbreaking special effects therein, were teased judiciously before the film’s record-breaking box-office run. Your account was created. Worked together with Bill Gold a lot. Hard to think of it now, but in the late ‘80s Batman was not widely considered the brooding, grizzled grumperhero we all know and love today. DP— this is an excellent post featuring an illustrator who was the pace setter during a most of his career. Bob Peak An American illustrator. Recalling the trippy, dazzling lines of Saul Bass, this striking design for Duncan Jones’ debut comes from London-based AllCity, a creative agency who have churned out some of the most interesting and innovative posters in recent years (see also: La La Land, The Death Of Stalin). The smoke trail from Sean Young’s cigarette doffs a cap to the film’s noirish disposition, while the cityscape and Harrison Ford’s future-gun hints at the cyberpunk future on offer. The night he came home. The Dark Crystal 1982. The throwback original one-sheet for Indiana Jones (Harrison Ford)’s first outing advertised “The Return of the Great Adventure.” Bingo. It also makes perfect sense for visually communicating Truman Burbank’s life, continuously-observed by reality TV cameras, in a single image. No frills here but then none were needed. Refresh your page, login and try again. The Silence of the Lambs remains the only horror film in history to win Best Picture at the Academy Awards. Well, we’ve rounded up the most effective, tantalizing and iconic movie posters ever. You divided the body of his work, casting your attention on the “pre-movie poster” years. With this poster and others, Bob Peak became one of Hollywood’s most in-demand poster designers, second only to Drew Struzan. Now this is poster design! Star Trek 3: The Search for Spock. Star Trek 4: The Voyage Home (1986). See more ideas about Movie posters, Bob peak, Movie poster art. The fourth of five Star Trek movie posters from Bob Peak. The first time I saw a Peak illustration it was part of a small Dobbs hat newspaper ad. Inspiration. If Herbert Paus was the "Robert Peak of his age," who was Robert Peak? Among the wider public, the popular perception was Adam West’s campy ‘60s interpretation. Please try again. Giger‘s disturbingly sexualized Xenomorph itself. Is this shapely gam the most famous leg in film history? It’s a meticulous mosaic of militarism, and it works like a treat. It was replaced by Amblin’s now synonymous flying bike image in later posters but this first effort remains the most effective. You are posting comments too quickly. The scariest baby carriage of all time is front-and-center in the one-sheet for Roman Polanski‘s iconic thriller, based on the book by Ira Levin. The Social Network wasn’t the first poster to start the Big Letters On A Face poster trend, but it was the most memorable, and effective. The historic poster centers on Robby the Robot, with Anne Francis dramatically draped over his arms. Marlon Brando’s giant bald head fades into the shimmering sun like a mirage, while the choppers flying over have an unreal, bug-like quality. It’s pure Struzan: having been given the briefest of briefs, and knowing next-to-nothing about what the movie was about, he whipped it up in 24 hours, the paint still wet when the courier picked it up. The Vietnam War appears to take on an almost supernatural quality in this work of art by Bob Peak. The is the first of three science fiction masterworks from the summer of 1982 we’ve placed consecutively. What red-blooded film fan could resist Nicolas Cage made out of gun parts and bullet shells? Saul Bass was one of the most prolific titles and poster designers ever. Philip Castle and Bill Gold are responsible for the pyramid design promoting one of the most controversial films ever (outright banned in many countries). Films about the Vietnam War conjured many powerful images, hence their presence on this list.

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